Watch Road to Perdition Online

March 22nd, 2010 by tyshawn3456929
Watch Road to Perdition Online. Watch Road to Perdition Online.

Movie Title: Road to Perdition
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This suspense-filled story of hitman Michael Sullivan, directed by Sam Mendes, has as much style and cinematic brilliance as his American Beauty, though it is much darker. Sullivan (Tom Hanks), the adoptive son of John Rooney (Paul Newman), is a cold-blooded killer working for his crime boss “father” in the winter of 1931, when his own twelve-year-old son, Mike Jr., inadvertently witnesses a “hit” in which his father participates.

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Subsequently, the Sullivans, father and son, take off for Chicago to meet with Frank Nitti (Stanley Tucci), underworld lieutenant to Al Capone. Mike Sullivan, Sr. is also hoping to get to Perdition, an appropriately named Midwestern town, so he can leave is son with his sister-in-law. Sadistic hitman Harlan Maguire (Jude Law), who enjoys photographing the death throes of his victims, is soon on the Sullivans’ trail to through the midwest.

Conrad L. Hall, to whom the film is dedicated, uses photography to its fullest advantage winning a posthumous Academy Award for his cinematography. Shot in winter, the film preserves the flavor of early black and white films, with sharp contrasts, and the use of dark, somber colors, when colors are used at all. Snow, ice, rain, and fog perpetuate the cold darkness of the scenes, and Hall’s use of architectural framing is stunning, particularly his repeated use of windows. He keeps the scenes simple, often focusing on individual characters in contexts which reveal their emotional states. In one memorable scene, for example, light from a streetlight outside a window casts the shadow of rain on an interior wall, suggesting both tears and cleansing.

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Newman is terrific as an aging mob boss, playing his part with just the right mix of frailty and cruelty (for which he was nominated for an Academy Award). Tyler Hoechlin, as 12-year-old Mike, Jr., reveals his fears and vulnerabilities at the same time that he shows his satisfaction as the center of his father’s attention (winning Best Young Actor from the Broadcast Film Critics Association). Jude Law, made up to look like a true, wild-eyed psychopath, is terrifying. Hanks looks menacing and acts viciously until his concern for his son overtakes all other emotions in a moving, climactic scene, though it is difficult to accept him in the role of a hitman.

Period music adds style to the film, and original music by Thomas Newman (and the title song by John Williams), mostly piano and strings, preserves the period tone. Filled with the horror of violence and considerable suspense, this noir film gives a human face to mob violence in the thirties. Mary Whipple

Sam Mendes’ “The Road to Perdition” is a film about family: extended, brother against brother, father and sons and ultimately father against sons. It’s about the world of Men in much the same tradition as “East of Eden,” which it thematically resembles. Mendes tackles big ideas here: the sanctity of the family, a father’s love of family, a father’s right to protect his family and a natural versus an adopted son’s place in a family (the right of succession). But Mendes uses the small details of life to develop these themes so that his lofty ideas have a pervasive as well as persuasive effect on the viewer.
Michael Sullivan (Tom Hanks) is a family man (2 sons, Michael Jr. and Peter) who works for John Rooney (Paul Newman) as a bodyguard and hit man. John has a son, Connor (David Craig)who is intensely jealous of his father’s relationship with Michael. It is obvious that John prefers Michael: strong, obedient, intelligent, over his natural son, Connor: weak, smarmy, conniving, underhanded, hotheaded.
One evening, Michael Jr., eager and curious to find out what exactly his father does for a living, hides in his father’s car while Michael Sr. goes out on a “business call” with Connor to strong arm an associate that ends with Connor recklessly killing the associate with Michael Jr. witnessing the entire event.
This proves to be the turning point in the film and the event that sets the remainder of the film in motion: can Michael Jr. be trusted to keep his mouth shut? Connor has some definite ideas about this.
One of the most impressive set pieces of the film is a showdown between Michael and John Rooney and his henchman on a public street at night in the pouring rain, shot with absolutely no sound nor blood in sight. It is as effective in it’s way as the last, very bloody scene in “Bonnie and Clyde.”
Conrad Hall has shot the film in a dark, grayish, almost colorless palette very similar to
“The Yards,” also coincidentally a film about a family involved in crime. The criminal life for Hall and Mendes then is not the chiaroscuro life that Coppola envisions it in his Godfather trilogy, but one of black and gray signifying a life of hiding, back alleys and drudgery devoid of color, enjoyment and living. The music is also extremely effective and evocative especially since Mendes has shot large portions of the film without dialogue.
The acting is top drawer with Tyler Hoechlin as Michael Jr. almost stealing the picture away from the always effective Tom Hanks, Jude Law and Paul Newman.
Sam Mendes has fashioned a film of the utmost purity and beauty: a tone poem to the family and to the father-son relationship in particular.
“The Road to Perdition” is a film that resonates with regret and sadness but more importantly an over-riding feeling that, as gangsters “getting into heaven”as John Rooney states… is not a possibility.
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Watch Mistral’s Daughter Online

March 21st, 2010 by tyshawn3456929
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Movie Title: Mistral’s Daughter
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Mistrals Daughter is excellent, expecially if you are a hopeless romantic like me. Stephanie Powers is very believeable as the 18ish country girl who arrives in Paris hoping to find love and success as an artist’s model. A reality check occurs when the object of her affection, Mistral, played by Stacy Keach turns out to be more interested in himself and his own pursuits as an artist, than his realtionship with “Maggie Lunel”(Powers). Broken hearted, Maggie is pursued and falls for the enigmatic wealthy American from New York played by dashing (and young)Timothy Dalton. Tragedy folows “Maggie” all of her days and the story follows three generations of Lunel women. Their romances intertwine with Mistral and his illegitimate daughter. Worth watching on the couch witha hot cup of tea and an afghan. Enjoy!

First, Mistral had a legendary love affair with the mother (Maggie), then years later found his true love in her daughter (Teddy). I don’t know what kind of emotion that would have created in the mother, nor would I want to know. But for the observer, the story is hard to resist.

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Stacy Keach (Mistral) was allegedly battling substance abuse problems while this filmed. He was adequate, and perhaps would have been more so had it not been for the cocaine.

Lee Remick (Kate) was lovely on the outside, even if her character wasn’t so lovely on the inside.

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Stefanie Powers (Maggie) did a great job, but to me she absolutely should have been Teddy. I even picture her as Teddy as I periodically re-read passages of the book.

Lily Taylor (Teddy) was so miscast! I will not fault her acting talent, but Teddy was supposed to be “the greatest supermodel of all time” and Taylor simply did not fit the role, which of course was not her fault.

Philippine Leroy-Beaulieu (Fauve) was fabulous! Then a newcomer, she was exquisite. She was plausible as a supermodel’s daughter and was worth hanging around for during the third act. I sat through all of Two Brothers before I realized that the young mother was Philippine.

If you watch closely during the dinner party, you will see a brunette Kristin Scott Thomas flirting with Mistral.

I often blow past the middle part of this miniseries because the war footage and anti-Semitic mentality is nothing but a drag. Also, with Taylor being less than a fit for Teddy this part of the film is just not for me.

All told, it is a classic Judith Krantz multi-generational saga. It is larger than life, which is part of the reason why we read novels and watch movies.
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Watch Mysterious Life of Caves - NOVA Online

March 20th, 2010 by tyshawn3456929
Watch Mysterious Life of Caves - NOVA Online. Watch Mysterious Life of Caves - NOVA Online.

Movie Title: Mysterious Life of Caves - NOVA
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When this documentary talks about caves, it is talking about those deep underground with candle wax drips-looking tops. They are not speaking about what bears or cave men lived in. They are talking about places deep down in the Earth where it’s too poisonous for humans to inhabit.

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The point of this work is that these caves are the results of biology and not just geology. So the majority of the work focuses on microbes that can withstand acid, boiling wster, and a lack of sunlight. They do show fish, spiders, and insects in passing, but this is mostly about things you’d only see under a microscope. That may be boring to some. I didn’t find myself as interested in this as I do when they show creatures deep down in the ocean that can make their own light, for example.

Chald, they show the scientists putting their urine in bags so as not to disturb the ecosystem. They say they had to carry their fecal matter out of there. Borat would be flattered! I’m glad these scientists were conscentious, but this was a bit of TMI. I mean, can a bit of human poo-poo destroy a place like the meteor did to dinosaurs!?

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This work had a lot of female scientists in it. Hopefully, it can encourage more women to enter that field. Then again, maybe it’s chemistry and physics that are mostly male fields; maybe biology and geology are more gender-mixed. One interviewee has a motherly, empathetic voice that makes all this boring science blabber more interesting.

The work concludes by saying, “Perhaps moons and other planets have these same microbes and thus can’t be seen as lifeless.” I think Star Trek fans and others interested in life on other planets will be very drawn in by that pondering.
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Streaming Blood Sweat + Gears: Racing Clean to the Tour de France Online

March 20th, 2010 by tyshawn3456929
Streaming Blood Sweat + Gears: Racing Clean to the Tour de France Online. Streaming Blood Sweat + Gears: Racing Clean to the Tour de France Online.

Movie Title: Blood Sweat + Gears: Racing Clean to the Tour de France
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I originally watched this documentary on the Sundance Channel. I thoroughly enjoyed watching it immensely and learned a lot about the sport of professional cycling. I am not a cycling fan. Nor do you need to be one to enjoy watching this documentary.

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“Blood, Sweat + Gears” follows a relatively new pro-cycling team founded in 2007 named “Slipstream Chipotle”. “Slipstream Chipotle” is looking to make it big in the world of professional cycling. The goal of this particular pro-cycling team is to have pro-cycling team where all of the cyclists are free of using sports enhancing drugs (doping has apparently become quite pervasive/common place in the pro-cycling circuit), gain major sponsorship, and be invited to participate in the Tour de France.

In this documentary, we see this team meet all of its goals. The team has a strong anti-doping program to help ensure clean cyclists. “Slipstream Chipotle” does receive major sponsorship from Garmin and the team becomes known as “Garmin Slipstream”. “Garmin Slipstream” does receive the invitation to participate in the Tour de France where we are able to see their pro-cyclists participate in the 2008 Tour de France.

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“Blood, Sweat + Gears” showcases some of “Garmin Slipstream’s” major pro-cyclists: Christian Vande Velde, Michael Friedman, David Millar, and Magnus Backstedt and more.

The “Garmin Slipstream” team is lead by Jonathan Vaughters, a former professional cyclist, who is is currently the CEO of Slipstream Sports and the director of of the professional touring team.

The flow of “Blood, Sweat + Gears” is great. It was wonderful to see what it is like to train as a pro-cyclist, the pressure of the sport in general and and so on.

“Blood Sweat + Gears”

Pumping Up for the Tour de France

Amos Lassen

The ProTour cycling club is the star of this inspirational film about preparing for the Tour de France. The club has two goals–winning and cleaning up the sport of cycling. This is a close look at cycling and what it means to be a competitor.

Following a year in the life of racing team Slipstream, director Nick Davis takes us to Boulder, Colorado where the team trains for the event. The members of the team express concern that the recent scandals about the use of drugs could possibly ruin the sport of cycling and they are determined to bring back the good name. We see what it takes to be a winner which includes the ability to suffer and the willingness to push to the extreme.

We meet Magnus Backstedt, a giant of a Swede who is a bit older and who plans to retire at the end of the coming year. There is Mike Friedman who returns to the sport after a serious injury and who wants to make the Olympic team. There is Danny pate whose marriage is falling apart because is so often away from home. Christian Vandeveld managed to get a fourth place win in the Tour de France and finally there is the manager, Jonathan Vaughters, who is very passionate about what he does and the sport. The members of the team have all agreed to participate without the use of any performance-enhancing drugs and to atone for what happened to former team member, David Miller, who makes a comeback after having been sidelined for a doping offense.

The movie is gorgeous to watch and the story is wonderful as we take a look into the lives of people who are dedicated to their sport and are willing to make sacrifices

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Zero Woman: Final Mission Movie Streaming

March 20th, 2010 by tyshawn3456929
Final Mission Movie Streaming. Zero Woman: Final Mission Movie Streaming.

Movie Title: Zero Woman: Final Mission
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Zero Woman: Final Mission is available for streaming or downloading.

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This is actually the first film in the “Zero Woman” series. But it’s the last to be released in America, and so was given the rather confusing subtitle “Final Mission”. If you liked the others, you should like this one. I’d put it on a par with “Zero Woman” (which is actually “Zero Woman 2″; this is the original “Zero Woman”), and above the later ones. This was made before Naoko Iijima became famous (in Japan), and she’s apparently embarrassed about it. It doesn’t appear in any of her official filmographies…

First of all, the promo is mistaken. Natsuki Ozawa is not in this one. Rei is played by Naoko Iijima. She does an OK job, but she’s no Ozawa, and not even Ozawa could save this installment.

The plot - a powerful and ruthless corporate type has paid off the police - is so cliche. Worse yet, the story revolves around how he has the police cover for the misdeeds of his sadomasochistic daughter.

Lots of disgusting S&M type scenes. And when its all over, there isn’t even the requisite revenge, because Rei doesn’t kill everyone who deserves it.

I would recommend Zero Woman and Zero Woman Returns, in that order, but not this one.
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Stream E.T. - The Extra-Terrestrial Movie Online

March 20th, 2010 by tyshawn3456929
Stream E.T. - The Extra-Terrestrial Movie Online. Stream E.T. - The Extra-Terrestrial Movie Online.

Movie Title: E.T. - The Extra-Terrestrial
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Both versions of Steven Spielberg’s masterpiece are available on this limited edition DVD of E.T- THE EXTRA-TERRESTRIAL. The original 1982 and the 2002 re-mastered version are equally impressive. The minor cuts and restored footage doesn’t add much. Sure, the CG E.T is impressive and there are some great moments put back in that make the film feel more complete. But the heart of the film stays the same. Differing from Spielberg’s more strident films (JAWS, the INDIANA JONES films and JURASSIC PARK), E.T is the simple story of Elliot (Henry Thomas) who finds a friend from space and helps him to find his way home, hence the oft-quoted line “E.T phone home!”. The iconic image of Elliot riding past the moon is one of the most memorable movie moments in cinema history, accompanied by John William’s whimsical score (Another coup-de-grace par-excellence). The film itself is still emotionally involving and the peformances of the principal actors, especially Henry Thomas and Drew Barrymore are fantastic. Regardless of the film’s 2002 theatrical dissapointment, Spielberg’s masterful storytelling holds up to this day. One of my all-time favourites, E.T will always be remembered as one of the greatest cinema experiences in film history.
The DVD extras are very impressive. Startting off with Disc One, the 2002 version has an introduction by Steven Spielberg, a live performance of John Williams conducting at the 2002 premiere and an “exciting space exploration”. Disc Two has the 1982 version. the extras include a “Spotlight on Location” featurette, The Reunion: The cast and filmmakers talk sbout the film. The Evolution and Creation of ET: hundreds of production photographs, conceptual drawings and original advertising in an interactive environment. Also included are theatrical trailers and DVD-ROM features. A must have DVD.

First, I want to make it clear that I’m reviewing the DVD here, not the original film. I liked the original; it’s a good movie. Not as fantastic as it is hyped to be, but good enough to have on DVD for an occasional viewing. I give the film 4 stars.

I have BIG problems with what’s behind this DVD, and the “special edition” of ET that’s on it.

The 2002 edition of ET is just absurd. As others pointed out, CGI ET looks silly, and isn’t consistent with the “old” scenes that include ET. His stiffness was part of his physical character. Making him more “jar-jar” just doesn’t make sense. It’s an example of “lets do it because we can”. There are lots of thing we “can” do that we “should not” do, and this is one of them.

But much worse than this is the digital removal of the guns. Not only was this poorly done (from a technical point of view), but it’s an example of Political Correctness(tm) gone mad. Guess what: government agents and cops carry guns, and they point them at people/things that they are trying to stop/apprehend. Get over it.

I hate to see a work of art like ET defaced just to appease a loud, misguided minority of people who believe in political correctness. Bowing to this minority was a cowardly act.

Finally, the packaging Universal has chosen is obnoxious. The only way to get the original film is to buy a very expensive “gift boxed set”, filled with things I do NOT want. I’m willing to pay for a boxed set, but only if it contains the following items: Original movie with original 5.1 sound track, commentary track(s), deleted scenes, making of and/or retrospective featurettes. That’s it. This would probably fit on one disc, making a boxed set unnecessary. …
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Dawn of the Dead Streaming

March 20th, 2010 by tyshawn3456929
Dawn of the Dead Streaming. Dawn of the Dead Streaming.

Movie Title: Dawn of the Dead
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Dawn of the Dead is available for streaming or downloading.

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Imagine. A clam peaceful morning. A promise of a new day. A promise of love, of hope, of joy and prosperity. A promise shattered. A new dream takes over . . .

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Welcome to this brave new world, teaming with the hungering legions of the damned and demented. An inexplicable virus has taken over the barren husks of those who have died and has risen them as new beings - - - beings who must sate themselves on the gory, writhing remains of the living. And, in the soulless eyes of these macabre creatures, a new world takes form - - - a world filled with the wails of the tormented dying, a world drenched in the blood of innocents, a world where corruption and decay rule all, a world where hope has died and been buried. In this Stygian realm, the few survivors must make a new way of life, must lock themselves in a fortress of solitude for their physical safety. They must, regardless of the consequences, band together against the gruesome hordes that await their warm flesh. However, will the slow onset of mental imbalances, unrequited loneliness, and barren heartedness eat them alive before their loved ones do? Only time will tell. The clock is ticking. The dead are waiting. Step up to the gallows. . .

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

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A Film to Die for:

While the horror genre has long been home to the musings of the demented, Dawn of the Dead takes depression and loneliness to a whole new level creating a film that, simply put, is to die for. The aura is suitably, almost entrancingly, morbid as the film delves into not only the gory rampages of the newly turned, but on the all too real emotions experienced by the few survivors as they struggle to remain alive and, even harder, sane. While Dawn of the Dead is by no means a deep film, it does have that certain something, that inexplicable magic, that makes the viewer care. Yes, indeed, this is one those films that you will spend yelling at the screen, warning the unwitting characters to turn around, or not go down that creepy corridor, or even better, not to hover near those that have just died, indulging in long moments of anguish without remembering just what happens to the corpses of the infected victims. Yes, the characters lack that certain brain power, but, unlike most zombie flicks, it’s believable. They reside in a world that rotates around death, not life. A world that overnight turned into a carnal house stacked with the bodies of those they once loved so it is acceptable, even believable, that the characters would have trouble grasping the ramifications of some of their actions, including their “daring” plan in the conclusion.

Of course, the best story in the world is only as good as its telling. How many times have we, the exalted viewers of America, been presented with an interesting movie concept that despite the ingenuity has failed on every level (Aeon Flux comes to mind). And, conversely, how many times have we been presented with a simple, unadorned story that for some reason spellbinds the entire audience (think of Paper Moon.) Dawn of the Dead most certainly falls into the later category. Like most George Romero films (with the exception of that travesty Land of the Dead) the acting is brilliant and emotional, the special effects are surprisingly (and sometimes upsettingly) realistic, and the entire aura of the movie from beginning to end is dismal yet somehow, strangely appealing. Dawn of the Dead creates a horrible world, yet the viewer will want to visit it again and again.

As the movie gains force, the conclusion rushes forward and although, as briefly mentioned above, the characters’ daring scheme does present the viewer with major qualms, it is believable and even suitable. Unlike those “cliff hanger” movies that misconstrue intrigue with irritation and decide to end with no revelation or meaning Dawn of the Dead ends dramatically, poignantly, and memorably satisfying the viewer and rounding out the entire movie nicely, leaving no room for complaints or questions. Also, one word of advice, be sure and watch the ending credits because an important event is actually portrayed as the credits role. This is part of the conclusion and is highly important.

Extra Information and a Note to Potential Viewers:

The version of Dawn of the Dead that I viewed was the unrated director’s cut (which I highly recommend). The film was originally rated R in theaters. Since this movie contains extreme gore, violence, bad language, and brief scenes of nudity, viewer discretion is advised (and yes, I got that from TV). For those who are interested in the actors/actresses these are some of the names of the outstanding cast: Sarah Polley, Ving Rhames, Jake Weber, and Mekhi Phifer. Also, Dawn of the Dead boasts an excellent soundtrack especially the concluding song, so don’t miss it!

- Ravenova

Let me begin by saying that I am a huge fan of the Romero trilogy, and believe that those movies are irreplaceable. Every fan of the horror genre should own those films. However, this does not mean that I was not able see this remake without an open mind. In fact, I loved this movie. Rather than try to completely re-do the Romero film, and in so doing step on Romero’s toes, the filmmakers went for a different spin on Romero’s basic concept.

For those of you who are familiar with the original Romero version of Dawn of the Dead, you know that Romero was not going for the full-fledged horror movie effect. Sure, the movie had some jumps and some gore, but for the most part Romero’s film was a satire. Romero did a great job of combining social commentary with some horror elements, which is, in itself, a statement. This remake, however, merely goes for the thrills and chills.

The 2004 version of Dawn of the Dead throws you immediately into the horror/gore, and right from the onset of the opening credits you know that this film is no satirical statement. Sarah Polley plays a nurse who wakes up one morning to find herself in the middle of a nightmare…only, it’s not merely a nightmare but a waking reality. Her neighbors and husband have been turned into walking (running) corpses (more similar to those in 28 Days Later than Romero’s slow-moving, rigor mortis ridden zombies) and she must seek escape before thinking twice. She meets up with a few other lucky survivors, and they all find shelter in a shopping mall (aptly named “Crossroads Mall”). This safe haven seems almost too good to be true with all the supplies they need to last until more help arrives, and it is. When the “safe haven” in which the survivors are staying is compromised, they must devise a plan and again escape the horrors of the bloodthirsty walking dead.

Overall, I think this was a great film that all fans of horror should be able to enjoy. The acting was good, the effects were great, and the plot was cohesive. Though the movie maintained some of the elements from the original Dawn of the Dead (the shopping mall setting, some cheesy mall music playing in the background, some lines of script that served to epitomize the blase routines many people continue to follow throughout their blase consumer-driven lives), for the most part this was an entirely different film. I really liked the fact that the filmmakers chose not to cut and paste Romero’s script, but rather make a new film based on his great idea. I think that anyone who enjoys jumping in their seats at the theater, and intense horror films in general, will love this movie. I, for one, will anxiously await the DVD release!
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Stream Biography - Ernest Hemingway: Wrestling with Life Movie Online

March 20th, 2010 by tyshawn3456929
Stream Biography - Ernest Hemingway: Wrestling with Life Movie Online. Stream Biography - Ernest Hemingway: Wrestling with Life Movie Online.

Movie Title: Biography - Ernest Hemingway: Wrestling with Life
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This video is a masterpiece. I love Hemingway and here the man is captured in all his in your face-tortured-life loving-woman loving glory. The language in this video is hardly disturbing which makes me think the person who wrote a review for this video claiming it was full of curse words did not actually see it. If anything this video will instill in the viewer a need to read more about the man and his work. A rare video. I’ve seen it a half dozen times and it never loses it hold on me. For any Hemingway fan this is a must.

A worthwhile and well constructed precise of Hemingway’s life, most valuable for its insights from Hemingway’s sons and archival moving film footage, including some sound bites of Hemingway speaking. The video relies (necessarily) on a fair amount of still photography, much of which will be familar to Hemingway aficionados, nevertheless, the presentation is compelling.
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Watch Mrs. Miniver Online

March 19th, 2010 by tyshawn3456929
Watch Mrs. Miniver Online. Watch Mrs. Miniver Online.

Movie Title: Mrs. Miniver
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Mrs. Miniver is available for streaming or downloading.

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This beautiful drama about a quiet English village and its inhabitants during the early days of WWII is perfect in every way. Director William Wyler was himself flying a bombing mission over Germany the night the Academy got it right and singled it out as Best Picture. Like the hat Greer Garson purchases despite the cost, this film is rather precious, and if made tomorrow, would still win the award for Best Picture.

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Wyler was delivered a fabulous script from screenwriters Arthur Wimpers, George Froeschell, James Hilton, and Claudine West. Greer Garson’s restrained performance as Jan Struther’s heroine won her Best Actress honors but the entire cast is equally good, Teresa Wright especially so as the bright and cheery young woman who would marry the Miniver’s son and show them all the way.

Wyler paints a lovely picture of day-to-day life in 1939 for the Miniver family and the small village where they live. Greer Garson is the nice Mrs. Miniver. An early scene when the kind porter Mr. Ballard (Henry Travers) reveals to her that he has named the beautiful red rose he intends to enter in the yearly floral contest after her, sets the feelings and mood of the entire film. The story of the white rose turning red from tears yet made more beautiful was not lost on audiences on both sides of the pond. If ever a film gave the world a resolve to stand up to evil, this quiet and touching film certainly did.

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Wyler shows the poignancy of young men going off to war as the Miniver’s young son, Vin, home from college and full of ideals, joins the R.A.F. There is one terribly moving scene as Garson listens with all her being as the planes fly over, waiting for Vin’s signal that he is one of those returning. Wyler shows the efforts of all during the early days of the war to help in any way possible. Clem (Walter Pidgeon) will use his small boat along with his fellow villagers in a dangerous rescue mission during the night, beautifully filmed by the director.

But through the air raids, which become matter-of-fact for the Miniver family, the joyous moments of living are shown by Wyler, leaving no doubt that life will and does go on. Dame May Whitty is superb as the village’s most powerful woman, Lady Beldon. She is the grandmother of the sweet Carol, portrayed winningly by Teresa Wright. It is her romance with Vin (Richard Ney) which will provide the most poignant moment in the film, showing that tragedy could come at any moment.

Garson’s cool resolve when confronting a downed German flyer in her kitchen is never to be forgotten. Neither are the moments of Mrs. Miniver’s small children sleeping peacefully in the cellar during air raids hitting closer and closer to home while Clem talks and she knits. Just as moving, however, is the moment the winner for best rose is announced.

There is a deeply moving and unexpected death, just as it happened to many families, English and otherwise, during the war. But it will not defeat the Minivers or the village, and the final speech was so stirring that Roosevelt had leaflets of it dropped from the air all over Europe.

Rarely does something so entertaining have the substance of “Mrs. Miniver.” It is no wonder that Churchill said “Mrs. Miniver” was more important to the war effort than an entire fleet of of destroyers ever could have been. A magnificent and unforgettable film you can watch time and again with the entire family. A must see film for everyone.

“Mrs. Miniver” is one of those non-factual, war time propaganda tear jerkers that has proven itself to be enduring and immensely entertaining. Upon its release, Winston Churchill declared the film more influential in getting America involved in WWII than a fleet of destroyers. The plot concerns Mrs. Miniver (Greer Garson) the atypical English housewife quietly enduring the hardships of war and capturing a downed Nazi pilot in her begonias in the process. It sounds hoaky but actually the story is incredibly stirring. Walter Pigeon, Garson?s frequent costar, is cast as her tender husband, Clem. Richard Ney plays her slightly opinionated son, Vin who rises to the occasion and becomes a flyer for the RAF. Aside: Ney and Garson were carrying on an affair during the filming that eventually resulted in a disastrous marriage and a quicky divorce. Oh well, at least the relationships in the film are perfect. Of merit is Teresa Wright?s outstanding performance as Carol, Vin’s doomed fianc?e.

Previously issued versions of this film were near perfect so it’s really no surprise to discover that this DVD carries on in the same tradition. Quite simply: the picture is outstanding. Blacks are deep and solid. The gray scale is beautiful and well balanced. There is hardly a scratch or a bit of grit or grain to distract. The soundtrack is equally impressive in MONO but very, very nicely balanced. A bit of a disappointment comes from the fact that no one at Warner Brothers had the foresight to do a ?making of? featurette. All we get is a couple of short subjects and a stills gallery.
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Stream Gankutsuou - The Count of Monte Cristo - Chapter 3 Online

March 19th, 2010 by tyshawn3456929
Stream Gankutsuou - The Count of Monte Cristo - Chapter 3 Online. Stream Gankutsuou - The Count of Monte Cristo - Chapter 3 Online.

Movie Title: Gankutsuou - The Count of Monte Cristo - Chapter 3
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Gankutsuou - The Count of Monte Cristo - Chapter 3 is available for streaming or downloading.

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I don’t see many anime like this. In fact, any form of entertainment is capable of doing what Gankutsuou is and has been doing since it’s release. And what is it doing? Well, it just keeps getting better, even halfway through the series. You expect a wall to go up by this point, but not with Gankutsuou. The suspense keeps rising, the intricate plot gets deeper, and the characters are beginning to reveal their truest emotions. Yet Gankutsuou is doing all this at a brisk pace–hell, the series itself starts halfway through Dumas’ original work, right when the Count is just beginning his plot for revenge and not during his time in prison or his childhood. I think if Gankutsuou keeps this up, it may actually push certain fans away because of just how intense it actually is.

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In this, the third volume, the Count finally begins targeting those responsible for putting him away. Under the guise of a friendly neighbor, he infiltrates the highest of France’s society and slowly forces his plot onto others. Meanwhile, Albert faces his own problems, mostly dealing with all the different modes of love; friendship, true love, false love, and his own personal feeling. During all of this, people die and lives are put into extreme danger. I hate to reveal anymore of the plot so I’ll leave it that.

GONZO seems to know what makes a good anime, and they put a lot into the anime that they know will succeed. Like Samurai 7 and Last Exile, Gankutsuou makes quite an impression. It has an artistic style all its own, which is both mesmerizing and startlingly beautiful at times. The way in which the story is presented, with very little care to what may be taboo or not, is kind of refreshing. The mature themes that makes this anime 16+ is what makes this anime great. It directly targets a more mature audience. I’d recommend this anime to anyone who enjoys darker anime and excellent story-telling. If I could, I’d recommend this to everyone but the mature situations can be a bit disturbing to younger audiences. I will, however, encourage any anime fan sixteen or older to pick up this series: it may end up being the next great anime to impact the American industry.
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