Grizzly Man Streaming
Tuesday, May 18th, 2010 |
Grizzly Man Streaming.
Movie Title: Grizzly Man Grizzly Man is available for streaming or downloading. |
The fantastic thing about Timothy Treadwell was that he survived 13 summers in the Alaska wilderness, living among tremendous, ferocious grizzly bears, until one of them finally ate him. Treadwell was a combination environmental activist, societal rebel, filmmaker, nutcase and holy fool. In other words, he was not unlike Werner Herzog, director of “Grizzly Man,” the luminous modern documentary about Treadwell’s life and nefarious death. Herzog is great more self-aware than Treadwell ever was, and has distinguished more of a sense of reality and irony. But as a filmmaker drawn to impossible projects (”Fitzcarraldo,” “Aguirre, the Wrath of God”), he feels a determined kinship to Treadwell, even as he’s appalled by Treadwell’s egregious lapses of judgment. Treadwell shot more than 100 hours of film of himself and his beloved grizzlies, and Herzog culls the best of that film for “Grizzly Man.” In his acquire film footage, Treadwell showed himself consistently to be an arrested adolescent, conflating the frightening behemoths he lived among with his collection of teddy bears. (He speaks constantly of the mortal misfortune of living among grizzlies, but never quite seems to gain his enjoy words.) Yet he also captured some of the most unbelievable nature scenes ever recorded, and Herzog respects him for that. (In his narration, Herzog also expresses stout tenderness toward Amie Huguenard, the woman who loved Treadwell, followed him to the wilderness despite her awe of bears, and shared his dismal fate.) Whereas Treadwell sought order in nature, and believed the grizzlies loved him as great as he loved them, Herzog sees nothing in Treadwell’s yarn except the workings of a chaotic universe sending one more dreamer to his doom. But because Treadwell’s dreams were so outsized, Herzog sees him as a brother. So, thanks to Herzog, do we.
What a bright film this is about nature and man in it. German director Werner Herzog has made his piece of stout fiction movies about men embracing their id in the wilds of nature at the expense of their sanity, so the unhurried Timothy Treadwell, the “Grizzly Man” that serves as the movie’s title, is a perfect documentary subject. Treadwell got closer to these giant bears than anyone during the last 13 summers of his life until he and his girlfriend were killed by one.
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Herzog mostly uses Treadwell’s contain footage to drawl the memoir, and the results are unlikely and fabulous. We gape the bears in their element - on a monotonous and on an island of trees Treadwell dubs “The Grizzly Maze.” Katmai National Park, scattered on the Aleutian Islands of Alaska, is a visual wonder, and the intimacy Treadwell achieves with the bears allows him to take a beget fight as intense and vicious as any nature film I’ve ever seen. Uncut and filmed at terminate range, it is a gargantuan, resplendent struggle that involves primal strategy and raw strength. It is riveting as a later shot of bears sprinting on a beach is roguish.
But there is powerful more.
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Treadwell uses his camera as a confessional. A decent man with a reasonably laudible aims morphs into a profane, insecure meglomaniac whose emotional issues likely drove him to Alaska to live with bears who tolerate him but, as the footage shows, don’t deem him a family friend. We learn he is a failed actor, a peaceful con artist, a loner who pretends on film he is alone when he is not, and, above all, a man who plays at being virtuous when he quite clearly thinks he is owed more acclaim and gratitude that he gets.
Herzog first shows his temper in a hilarious scene where a fox steals Treadwell’s hat. Later, Treadwell vents when tourists approach to photograph the bears. Later unexcited, he launches a improper rant against the National Park Service that makes “Grizzly Man” heinous for kids but famous to the man and the film. Treadwell thinks he’s out there for the bears. He’s really out there for himself. So anyone of us would be, for we do not go to the zoo so the animals can peep us. We go to spy the animals.
Treadwell needs to articulate himself, to say “I am.” Bears don’t. Bears act out of instinct and conditioning. Treadwell expresses, and does so out of concept. Without stating it, “Grizzly Man” is a convincing argument against the evolutionary theory that suggests man arose from the clay of beasts. It’s also a compelling case against Treadwell’s mission, which seems to be limited more than hanging around bears and filming them. Treadwell claims, quite often, to be “protecting” them. From what?
His other mission is education. Blooming as the photography is, what I learned from “Grizzly Man” about bears is that they’re bears. That in itself is divine but Treadwell wants to go further and impose human traits on them, which seem absurd the day he finds a baby grizzly’s skull picked well-kept by other bears. Finally Treadwell gets uninteresting and stays in the “Maze” later in the summer than he should. The familiar bears are gone, replaced by one who eventually kills him. He probably captures the enjoy on tape, and we stare a close-up of its beady brown eyes. Not a flicker of humanity. We shouldn’t put a question to there to be.
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