Pull down the shades and turn off the lights as it’s time for a ghost chronicle, of sorts…Ghost Memoir (1981), based on the bestselling Peter Straub modern, was directed by John Irvin (Raw Deal, Next of Kin), and lists an impressive cast including Fred Astaire, Melvyn Douglas, Douglas Fairbanks Jr., and John Houseman. Also appearing are Craig Wasson and relative newcomer Alice Krige, whose only other film appearance prior to this was Chariots of Fire (1981), although she has since had a long career, and I most remember her as the creepy mother from the film Sleepwalkers (1992), which was adapted from a Stephen King unusual. She’s also the best element in the film.
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The film takes station mostly in a cramped Modern England town and is about four elderly men, members of The Chowder Society (they accumulate together regularly to deny each other ghost stories), and a secret they’ve shared for the last 50 years, one that coming support to haunt them, both figuratively and literally speaking. It seems these men, now town elders, participated in an event, one which they vowed never to scream of again, but has begun to manifest itself, possible through guilt, in bad nightmares suffered by all four men. Also, there’s a miniature matter of a couple of wicked deaths…
Having read about this film so long ago in a Fangoria magazine, I had wanted to gaze it at the time it came out, but, alas, being all of about 11, I was restricted from partaking in all the nekkid and/or gory goodness of R-rated films. So, what’s the deal with this film? Based on ample source material and incorporating an experienced and highly talented cast, you’d mediate you’d have a exact winner on your hands, just? Well, yes and no…what one may really study the most after watching this film is the missed opportunity. I reflect the main dilemma is the same one suffered by author Stephen King in that the source material, the original by Straub, is very lengthy, highly detailed, and extremely difficult to transfer onto the silver camouflage without seriously altering the material. Definite, the main elements will advance through, but it’s the intimate, complex details that tend to secure lost, the ones that give the sage depth and heart. The actors do a unbelievable job, although Wasson, even though I like him a lot, seemed an outlandish choice to play the son of one of the elderly men. He ends up being sort of the catalyst that forces the older gentlemen to dredge up secrets buried, but never forgotten. The cast is fantastic, the direction well, done, the sets and scenery highly effective, but the element that brings the film down is that even at almost two hours, the myth is missing the ookie goodness from the new. Obviously the adapter had to rob and determine what parts to hold and what parts to omit, as is the case with any modern adapted to the hide, but the unpleasant decisions as to what to maintain and withhold out become apparent as the anecdote progresses, and the viewer begins questioning why the legend becomes spotty and even crumbles at some points. The pacing is extremely boring, giving up cramped until it’s ready. This may cause some viewers to become bored, but I rather enjoyed the slow gain up as it allowed for the viewer to really become immersed and soak up the determined, along with the negative, aspects of the dwelling. There are numerous flashbacks throughout, as the mystery unfolds, and I plan they were handled particularly well. The motivations of some key station elements seemed unclear, specifically the Krige’s character and the reasoning as to why she had contact with one of the elder men’s sons, but I was able to procure past that. I conception the special effects were done very well, and helped immensely in adding a somewhat gothic feel to the film. The film was definitely a terror movie, but took the road less traveled focusing on more of the awe inherent within the account, rather than providing the visceral imagery we’ve near to inquire of in new fear films. The nudity in the film seemed a bit gratuitous, and while I enjoyed seeing an heavenly woman bare her assets, it wouldn’t have wound to have a dinky less. There are some really fine scares here, and given a bit of patience, the viewer will be rewarded. There are weaknesses in the tale, and viewers who’ve read the book will most likely be disappointed, as the film objective cannot compete, even though it does give a respectable inconvenience. All in all, a solid, spooky, atmospheric slow-moving apprehension film with distinct flaws that more or less equal its’ strengths.
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The wide cloak print here isn’t as helpful as it could be, as the recount appears unlit and has a lifeless, expressionless quality. This isn’t constant, but very apparent in a number of scenes. The audio could spend a bit of remastering, as it’s uneven, soft and hard to discern sometimes, but there are English subtitles available, which I made utilize of through most of the film. There are no special features other than a theatrical trailer, which I found a bit disappointing. While this isn’t one of the better truly scary films I’ve seen, it does have something to offer, as it’s certainly not the worst, either. It wouldn’t be among my top recommendations, but if you obtain yourself one lonely and sunless night looking for a bit of a anxiety, you could do a lot worse. If you’ve read the book, you might do well to skip the film.
Cookieman108
This is an former approved of mine. It’s not the scariest of its kind, but it does have some nice spooky atmosphere and eerie moments. -It was also made at a time when film-makers cared more about these things, it seems. This movie is a million times more scary than, say, “Bawl” with its terrible “shock-a-minute” come. “Ghost Memoir”’s tension builds up all the device through it, to a memorable climax. -The seek (and sound) of Alice Krige’s “bride of death” walking down the corridor, is truly haunting. -If you don’t like something like this in a Scare film, you’re radiant lost and probably not a day over 25!. The colorful Craig Wasson stars as the unlucky man who falls in esteem with a ghost. I highly recommend this old-style genre movie.
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